Author Interview: Huck Krueger

Today I have a special guest with us-author of several Science Fiction novels, Huck Krueger!

If you were to introduce yourself to a group of strangers, what would you say? 
I’ve told people that I’m a pilot and a writer. But since I put my plane away and don’t know if I’ll ever fly it again, I might say, “Hi. I’m Huck. I’m a writer and a former pilot.” Or I might leave out the word, ‘former,’ for now.

 

Tell us what first drew you to writing. 
Like most kids, I had fantasies, and I enacted them in my play. In my teen years, I still had those fantasies, though I didn’t play any of them out with toys or action figures. I started drawing cartoons and comics. But I knew I didn’t have any special skill at it and never assumed I’d sell any of my comic stories. Many of those comic stories and booklets are sitting in a box in my basement.From sixth grade through junior high, I was fortunate enough to have teachers who were enthusiastic about writing, and they had taught me the concepts of English grammar and writing basics. Then I ‘saw’ the ‘window’ to write my fantasies out in stead of trying to draw inept comics.I’ve thought that if I ever publish a big-time seller, I’ll dedicated it (my first book anyway) to my junior high English teachers.

 

What do you write?
I’m interested in science, especially astrophysics and aerospace.  So I write Science Fiction mostly, though I’ve dabbled in romance, contemporary and wartime settings. My science fiction is most often involving space travel or life on other planets. I don’t care for the pure fantasy involving the supernatural or spirits, or worlds and creatures that likely wouldn’t exist.

I read a lot of history too, but I shy away from writing stories in that genre because I worry about being historically inaccurate. With sci-fi there’s usually more suspension of belief. I can be ‘way out there,’ and feel comfortable that no one will definitively prove that what I write can’t happen.

 

You’ve just released a book (or two) this year, correct?  Can you tell us some about it (them)? Where can we find your books? 
My latest novels are a series about four crew-members who fly an Astral Research Vessel, or ARV, throughout the galaxy to study stars and nebulae. The crew consists of two men and two women. My main character, Miles Wendel, is the pilot of their ship. Tana Vargas is their engineer and bio scientist. Li Keung is their astrophysicist who mans their science equipment. And Cassie Nystrom is their captain.

Their ship is ‘sustained’ by force fields and is often invisible. Only the objects and equipment they access or touch become visible. If someone wants privacy, say in his or her quarters, then the walls will appear, usually throughout the living compartment of their ship.

Their ship is capable of ‘bypassing the speed of light’ by what I’ve termed, ‘Hyper Sub-dimensional Transition (HST),’ which means they enter alternate dimensions of space/time and fly a ‘shorter’ distance to their destinations.

Of course, at their destinations, they encounter adverse situations. In each of the four stories I’ve conceived so far, they’ve encountered extraterrestrials as well as ‘external conditions’ which complicate their struggles.

I’ve published the first two books in this series which I call, Voyages of the Altair. I named their ship Altair after the star in the Aquila constellation. Its name means ‘Flying Eagle.’ I thought it was appropriate.  Each book has a main title, and so far, I’ve titled them after the star or nebula where the plot takes place.

The first book is WR104, which I published in June, 2017. On their maiden voyage we find them near the unstable blue star, identified by astronomers as WR104. The second book is M42, which I published in November, 2017. The crew is assigned to fly through and study the famous Orion Nebula (M42). I’ve finished the first draft of the third story, Eta Carina, and I’m currently writing the fourth, with a working title of, M54.

Information about these books and links to purchase them, along with my other books, can be found at my website, huckkruegerauthor.com. One can also find them via Amazon. Nook and Kindle versions are available.

 

What seems to be the recurring theme(s) in your stories? 
Space travel and extraterrestrials are what I write about most, because they give me so much ‘room’ to create and work out ideas. I like to note that most of my aliens are not evil aliens out to destroy humanity or Earth. They have their faults, but I often have them interact and cooperate with my human characters.

 

How do you get into the minds of your characters? How do you come up with various settings? 
I usually use the ‘closely attached’ third-person point of view, and usually choose one main character to do it in each story. To clarify, the story is shown through the view of one person–only things he/she knows is told. Though, I try to imagine what each character thinks, sees and feels, so I can have them interact in a believable fashion. Sometimes while writing, as an excuse to get up and move around, I’ll physically act out a scene to get the concept and figure out how characters would respond.

Many of my story ideas have come from a topic in science I happen to be studying at the time. I try to construct a story with that aspect of science involved.  I came up with one story after I read about Jupiter and its moons and the forces at play between them. In the story I explain the basics of Jupiter’s ‘plasma torus’ and how it affects the electromagnetic fields around the four moons. Then I ‘stretched’ the science and went beyond to create a plot for the main two characters.

Another idea came from combining two news stories. Back when the influenza virus was ravishing through the world, I had that story rolling through the back of my mind when I read about UFO abductions.  I combined the two into a plot of aliens abducting someone and mistakenly allowing their victim to contract one of their diseases. After they set him/her free, the disease spread rapidly. The result was a pandemic that wiped out hundreds of millions. I created a story about an astronaut woman whose family had died from the disease.

In my new series, Voyages of the Altair, I’ve been reading about dark matter and dark energy, and worked the plots around the idea of living beings made of dark matter and energy.

 

How valuable is being in a writing group for you? 
It turns out that the writing groups have been very valuable. Since the late 1990s, I had let my story writing go dormant. I had only dabbled with poetry and some articles and essays from that time until the local retired fire chief invited me to check out the local writers’ group in November, 2006. That group identifies itself as the Lake Region Writers’ Group. There was another group that met in Willow City, called the Prairie Rose Writers.

They ‘prompted’ me to rekindle my story writing. While I worked on an old story and wrote new ones, the Prairie Rose group, who had collaborated with our group on an anthology, ‘recruited’ me to assemble and publish the work.  After learning the processes of self-publishing, I decided to ‘join the ranks’ of the other two in our group who had self-published their own works. After learning about what I did to publish the anthology, one of the Prairie Rose writers has now self-published one or two books.

 

When you’re not writing, where would we usually find you?
Outside of my job, which is custodial and maintenance at the local college, I’m often at my computer studying a science or history subject, or communicating with someone, or just entertaining myself. Otherwise I might be working in my shop in the garage or doing some chores or repairs around the house, and in the summer times I often worked on or flew my ultralight plane.

 

In your opinion, what are some of the biggest obstacles facing writers today? 
Writers today still face the usual problems any writer has such as writer’s block or deciding how to compose an article or story. In the business realm of literary jobs and publishing one’s work, I don’t know how much competition one faced in the past. But now-a-days writers will find a lot of competition.  The major traditional book publishers and major magazines receive tens of thousands of submissions in a year. Getting noticed will often be through luck.

An ‘outlet’ for many writers has been via the internet, which includes blogs and self-publishing. Writers of blogs, ezine articles/stories, self-published books, or other digital compositions can get their ‘foot in the door,’ if their piece catches the eye of a major publisher. Publishers sometime notice when a piece gets thousands or millions of views or sales. They might approach the author(s) and offer a proposal.

 

Any additional comments or advice you’d like to add for our readers?
Off hand I can’t think of any advice or tips that haven’t already been mentioned or posted somewhere.

 

 

 


 

About the author…

Huck lives in Devils Lake, N.D. with his wife, Linnea. He graduated Cando High in 1982, and in 1989 received a B.A. with a major in English, a minor in Computer Science, and a concentration in German from MSU-Minot.  You can find his science fiction titles atKindle and Nook.

 

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Author Interview With Jeanne Blasberg

Today we have a very special guest, Jeanne Blasberg, as she tells us a bit about herself and her DEBUT novel! 

 

Tell us a little bit about yourself.

I’ve kept a journal all my life and have always loved to read. My favorite book as a child was Harriet the Spy. Being an only child who spent a lot of time alone, I got scarily close to emulating Harriet’s spying ways.

My passion is fiction, but my early professional life had me writing business case studies and articles on the retailing industry. My first serious pursuit of creative writing involved memoir and essays based on personal experience, but I always knew I had a book in me.

Once my three children moved out of the house, things got quiet and my mind could slow down. I used that time to write and study the craft. My husband and I also love to travel, and I blog about it on my website. In the last nine months I have been to South Africa, Uganda, Patagonia, the Canadian Rockies, and Iceland.

 

What aspects of your life led you to writing the kind of stories you write?

I have always been fascinated by family dynamics. What is spoken and often unspoken between siblings (which I can only imagine, having always wanted to be a sister) and how bonds strengthen or deteriorate between generations are things I think about.

I have also witnessed (as well as read and thought about) the way behaviours get passed down from generation to generation, especially painful ones such as addictions and secret keeping.

 

 

You have a new book coming out soon. Tell us about it.

EDEN is the story of a family matriarch in her late seventies who, after the death of her husband, decides to introduce her family to the daughter she gave up for adoption fifty years earlier. The setting is their grand summer home, built by her industrial tycoon father, in a fancy summer community on the coast of southern Rhode Island. The chapters describing the days leading up to the Fourth of July weekend, as relatives arrive, and our matriarch prepares to make her announcement, are alternated with chapters revealing the 80-year history of the family. Four generations of women are introduced, each with secrets of their own.

 

What inspired you to write it?

The idea was born after my husband discovered he had a brother who had been given up for adoption. In getting to know this newly discovered brother and having conversations with him and his wife, I understood something about how the mystery around his birth had been bound to his self-identity. I related to this immediately. The product of a hasty marriage, I was ten years old when I did the math on my fingers to figure out I was a mistake, something a could never quite shake. I never stopped thinking about the different choices our mothers had (or didn’t have) and also the residual effect on the children.

 

How do you get into the minds of your characters?

I spend time meditating or quieting my mind and then I think about the scene I am writing until I just know how a character would react. Sometimes, I get it wrong and in the editing process I think “no, no, no, that’s not quite right.” My characters are evolving and so getting it right sometimes requires writing an entire first draft and then going back to refine them. I understand my characters so much better when I know the ending.

I often think about my characters when I’m out in the world. I might notice a woman’s clothes and think that is something Becca would wear. Or overhear a conversation and think that is something Camilla would say.

 

In your opinion, what are some of the biggest obstacles facing female writers today?

Maybe the same obstacles face men as well as women, I’m not sure. I am a debut author and don’t feel I have a very knowledgeable opinion on this topic. But the one thing I have noticed in the process of launching EDEN is that there are a lot of books being released each season and there are a lot in the genre I am writing…. By Women For Women.  Is the obstacle one of continually feeling relevant and original?  I have found the communities of women authors that I have become a part of to be extremely helpful and supportive. So whatever issues we have as a gender, there is a big movement around taking them on!

 

Any additional comments or advice you’d like to add for our readers?

Here are 5 good writing tips for a satisfying writing life:

1) Consistent routine, for 8 out of 10 people morning energy is best – take advantage of that time and don’t give it away

2) Meditate – unclutter the mind

3) Find a community of writers and hold each other accountable

4) Be generous – with yourself and others

5) good writing has a lot to do with intuition – trust it

 

Click on the image to order the book

Synopsis of the book: “Becca Meister Fitzpatrick―wife, mother, grandmother, and pillar of the community―is the dutiful steward of her family’s iconic summer tradition . . . until she discovers her recently deceased husband squandered their nest egg. As she struggles to accept that this is likely her last season in Long Harbor, Becca is inspired by her granddaughter’s boldness in the face of impending single-motherhood, and summons the courage to reveal a secret she was forced to bury long ago: the existence of a daughter she gave up fifty years ago. The question now is how her other daughter, Rachel―with whom Becca has always had a strained relationship―will react.” 

 

Jeanne can be found at the following sites:

Author’s Website

Twitter

Facebook

 

Author Interview: James Dorr

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*Today we have a special guest interview with short-story writer, poet, and author, James Dorr!  Enjoy!  Be sure to check out his links below too.

If you were to introduce yourself to a group of strangers, what would you say?

I’m James Dorr.

I’m a writer.

I write short fiction and poetry, mostly dark fantasy and horror, but also occasional science fiction and mystery.

Yes, I do see a difference between horror and dark fantasy, dark fantasy, to me, incorporating elements of the supernatural while horror is more a description of the readers’ reaction, evoking feelings of fright or unease. So there can be psychological horror as well as such things as dark mystery, dark science fiction, dark romance, even dark humor. Comedy is similar, in this case evoking laughter or at least a chuckle (whereas “horror” as a word is derived from “horripilation,” a physical bristling of body hair as when one has “goose bumps”), so there can be comedy-mystery, humorous science fiction, etc. But then I write cross-genre work as well.

Tell us what first drew you to writing.

I think, in general, I felt a need for self-expression. When I was younger I thought I might be a painter or graphic artist, or something in the visual arts, even perhaps something like a cartoonist (as an undergraduate, for instance, I became Art Editor on my college’s humor magazine, as well as illustrating for other publications). But I seemed to have more talent for describing things in words, rather than lines or colors, to tempt the reader to visualize things for him or herself, and for more than just the visual impression – to try to evoke other senses as well, to feel a thing’s texture, a speech’s music (I might mention I also lead and play tenor in Renaissance recorder consort), to see for a moment within a different character’s mind .

Or maybe it’s just an urge to show off.

You have a new book coming out in 2017. Tell us about it.

On a far-future, exhausted Earth a ghoul – an eater of corpses – explores the ruins of one of its greatest cities in hopes of discovering the one thing that made its inhabitants truly human. This is the premise, the quest that introduces us to the 16 stand-alone chapters of Tombs: A Chronicle of Latter-Day Times of Earth, about half in fact already published in various venues as complete short stories, loosely inspired by a pair of quotations from Edgar Allan Poe, of the most poetic subject being the death of a beautiful woman (which also informs, in its way, my previous book The Tears of Isis) and of the boundaries between life and death being “at best shadowy and vague.” If these statements be true, and in an already dying world, can love be a power to even transcend death?

What inspired you to write it?

For Tombs the stories, at least the first of them, preceded the book, yet they seemed to “want” to come together, rather like the stories in books like Amy Tan’s The Joy Luck Club or Ray Bradbury’s The Martian Chronicles. That is, even if complete in themselves, they seemed to be part of something bigger, in this case a sort of future history of a people already aware of its approaching doom, if not in this lifetime, at best in no more than a few generations. That’s far enough, then, that one needn’t despair, to strive to live only in the moment, but nothing that one accomplishes is going to be long remembered either. Yet legends still are, somehow, created – perhaps through some larger need of humanity – and these are the legends presented here. Ones that, in having created this world, I felt myself compelled to discover.

What seems to be the recurring theme(s) in your stories?

That’s hard to say, because I’ve published several hundred stories, at least as many poems, and in several genres and combinations of genres. One thing I seem to come back to, though, is the idea of love as a redemptive quality, which I think informs a number of the Tombs stories too. Then in my 2013 collection The Tears of Isis, while assembled from stories for the most part already written, I tried to adhere to a theme of beauty and art being in some ways at odds with intimacy and life, opening with a poem about the Medusa seen as a sculptress who, whether through art or through her myth, turns men into statues. Does the artist’s model then, of necessity, become an object, but in that way gain a kind of immortality? And then there are vampires, in a different way preying on life but becoming immortal themselves, leading to a series of flash stories I’ve been working on (two of them published recently in Daily Science Fiction) depicting the “casket girls” of New Orleanian legend, who allegedly brought vampires with them from France in 1728. And then, thinking of that as an urban legend, I’m fascinated by people’s beliefs, of myths and even fairy tales, a number of which I’ve also worked into stories or poems.

How do you get into the minds of your characters?

That’s something that I think gets easier with practice. I’m thinking right now though of an expression, that you shouldn’t judge a person until you’ve walked a mile in his boots, and I think that’s a key. Imagining yourself as different people and learning to empathize, both in life and in art. So I try to imagine a major character’s previous life – one of the “casket girls, above, for instance, as a child growing up in Eighteenth Century France (and, yes, researching Eighteenth Century France too), then the hardships of a voyage at sea, the not knowing what to expect ahead, the hopes and fears — and then placing that character in the new situation the story presents them with. What would I do if I were that person, as modified by what I’ve “learned” of their past?

And then not to “tell” what the character thinks, or at least not too much, but to try to show her or him in action in such a way that the reader can sympathize with that person too. (In short, to see through my character’s eyes instead of my own, to hear with its ears, smell with its nose, taste with its tongue, feel through its emotions, think with its brain, and do my darnedest to make sure you, the reader, do so as well.)

In your opinion, what are some of the biggest obstacles facing writers today?

Nowadays a main one, I think, may be what happens after a book, or a story within a book, gets published. In the past the publisher took the responsibility of getting it into bookstores and into the hands of reviewers and doing at least a minimal amount of advertising. Now, however, writers are much more on their own. And of course there’s self-publishing too, but even with a traditional publisher it still comes down now to promoting oneself – how to prevent the book you slaved over from just being buried under the crowd of other books coming out at the same time?

This is one reason I thank you, Carrie, for being willing to interview me here, to introduce myself to your readers (as in turn, hopefully, some of my readers will see this here and stay around to see more of your work). In this way we all can help one another and, on the same token, I’d like to urge readers, if you come across a book you enjoy, please consider writing a review, even if only in a sentence or two just saying you liked it, and sharing it in places like Amazon and Goodreads where people will see it.

Any additional comments or advice you’d like to add for our readers?

Perseverance. Don’t quit your day job. Those are the clichés, but they’re still true, that most writers aren’t going to make much money until they’ve been at it for some time, if even then. But the real advice I would give is to enjoy what you’re doing, as well as to strive to do your best.

Follow your bliss, to repeat that cliché. Be proud of your work, but be practical too — if an editor advises you to make changes, take it seriously. But remember it’s still advice, especially as you gain more experience, and the one you must please, ultimately, should be yourself.

Biography:

Born in Florida, raised in the New Jersey, in college in Cambridge Massachusetts, and currently living in the Midwest, James Dorr is a short story writer and poet, specializing in dark fantasy and horror, with forays into mystery and science fiction. His The Tears of Isis was a 2014 Bram Stoker Award® finalist for Superior Achievement in a Fiction Collection, while other books include Strange Mistresses: Tales of Wonder and Romance, Darker Loves: Tales of Mystery and Regret, and his all poetry Vamps (A Retrospective), as well as, forthcoming, Tombs: A Chronicle of Latter-Day Times of Earth, a novel-in-stories from Elder Signs Press in spring-summer 2017. He has also been a technical writer, an editor on a regional magazine, a full time non-fiction freelancer, and a semi-professional musician.

Social Media:

Blog

Facebook

Amazon Author Page

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“The city had once lived, blazing with light. The books all described this. The Ghoul-Poet sat in the midst of a heap of them, pages torn, rotting, spread out all about him. This was a library, the pride of New City, or rather a square that had faced the library, that had received this avalanche of thought — words embossed on parchment — that cascaded down when the library burst, its walls weakened by age. It was a treasure trove, this mountain of dreams and abstracts, histories and myths. Some true, some perhaps not.”

These, then, were the legends of the Tombs, the vast Necropolis and its environs . . .

. . . of corpse-trains that plied bridges crossing the great river, bearing the City’s dead, braving attacks from flesh-eating ghouls

. . . of ratcatchers, gravediggers, grave guards, and artists

. . . of Mangol the Ghoul, of musician-lovers Flute and Harp who once played back a storm, of the Beautiful Corpse

. . . of seas filled with monsters, a mass-death of animals, secret tapestries teaching children about a past great war, the dangers of swamps

. . . a city consumed by a huge conflagration, a woman frozen for thousands of years

. . . a mission by airship to rescue a man’s soul

. . . a flower that ate memories. . .

These are just some of the wonders, the horrors, to be found in the pages of Tombs: A Chronicle of Latter-Day Times of Earth, scheduled to be out from Elder Signs Press in Spring-Summer, 2017.

Interview: Tabatha Shipley

Today, we’re featuring an interview with a writer who’s also a mother and an elementary school teacher: Tabatha Shipley!

 

 

Tell us a bit about yourself and what you write.
I write fiction, usually for a younger audience. As a teacher I became aware of a lack of interesting material in a younger age range that exposed kids to third person point of view. I set out to write something different for that audience. 

 

How long have you been writing?
Since I could hold a pen! Writing is my outlet for stress.

In this capacity though, about a year of serious focus on honing my craft and writing for a wider audience.

 

What are you currently working on?

My first dive into fiction for general adult readers! I’m excited and yet equally frightened by what kinds of thriller my mind is capable of producing.

 

Do you consider yourself to be an introvert or extrovert?

Introvert, but I hide it really well when I have to.

 

What do you love best about being a teacher?

That moment when a kid just GETS it. You see their eyes light up and realize they just learned the power of knowledge. There is nothing else in the world like that feeling. It is the drug that all good teachers are completely addicted to.

 

What is your favorite book?  Why?

Harry Potter and the Half Blood Prince

First because JK Rowling is the Queen of writing and I just want to immerse myself in her life and her brilliance.

But there are a lot of books for that. I picked this one specifically because it shows that all people have that hidden side. Your hero has something dark inside him as much as your perceived bad guy has some deep passions within him. 

 

Have any additional comments or advice for our readers/writers?

Find a story that begs to be told and tell it. It is that simple and that difficult. 

 

 

 

Thank you, Tabatha, for sharing your passion and insight with us!  You can find her at her blog, Developing Our Wings