A Writer’s Vulnerable Heart (Part One)

     “Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”  –Brene Brown
    “I can’t write to please everyone, but someone, somewhere will be touched if I put my heart into it.”-Sara Winters
    “Fill your paper with the breathings of your heart.”-William Wordsworth
crying eye
My mind is full of rich and varied images.  Layers of story lines twist and turn with one another; sometimes overlapping, other times becoming as one.  Faces of characters float before my eyes with expressions of pain, joy, and anger.  They’re all there.  In my head.
    Yet, when I write them down on paper (or through the keyboard), the emotions are well, flat.  Stale.  Lifeless.
    I even had a few editors, two especially, who’d read different short stories and both came to the same conclusion:  my characters lacked emotions.
    Funny, when I “act” out various scenes in my head, the strong emotions would rush to the surface, and occasionally, I’d find myself crying, or laughing.   But, why can’t I make these same emotions flow through my characters?
    What’s wrong with my characters?
    What’s wrong with me?
    All my life I have suppressed my emotions.  Especially the tears.  For me, they were signs of weakness.   Heck, I even have difficulties with intimacy in my marriage because it requires me to be vulnerable.
    I crave connection with people; yet I shy away from them.
    Fear.  Of. What???
    One of my biggest fears is ending up alone.  And that’s exactly where my current path is leading me.
    Sad, huh?
    No, its pathetic!
    Bottom line, I know if I don’t resolve these issues on a personal level, as a writer I will never truly reach people.  Touch them.   Because in order to do that, I need to expose my inner soul, my wounded heart; I need to show my vulnerabilities through the characters, reveal them all to the world; only then, will I be able to touch readers with words.
    If only…

Plot vs. Characters by Rochelle Melander

plotvscharactersdiscussionOneWe will begin the Plot vs. Characters discussion with Rochelle Melander.  Be sure to give us your thoughts and input in the comment section below. 

When I was a teenager, we used to play the game, “Would you rather?” Would you rather eat fried spiders or grasshoppers? Would you rather be blind or deaf? Would you rather jump out of a plane or off a mountain? Most of us agreed that the best answer to most of the questions was: neither. But that’s not how the game worked; We had to choose.

When asked, “What’s more important—rich characters or a tight plot?”—my answer was swift and sure: both. I adore mystery novels, and the authors I love the most give the reader a healthy dose of both plot and character: Louise Penny, Elizabeth George, P.D. James, Martha Grimes. Over the course of multiple books, the main characters become more like distant relations than fictional characters and their adventurous exploits become fantastic family stories.

But let’s say you must choose between the two. How do you decide? Ask yourself:

+What do the readers of my genre expect? Take a look at the reviews for books in your genre on Goodreads, LibraryThing, and other book review sites. What do the readers adore and despise in these books? Are they more upset when an author cheats on character or plot?

+What am I naturally good at? Some of us can easily build believable characters, others plot like master architects, and a few juggle both well. Know your strengths. Choose a genre that plays to your strengths. And then rock it!

+How can I make up for my weaknesses? Plot writers often make character work by writing series novels. That way they can create and deepen central characters over many books and have time to do what they love, build plot. Character writers sometimes borrow plots from the classics. And why not? They’ve lasted for centuries because they’re good.

+What type of marriage between plot and character works for this book? Every book project is different. We don’t have to choose to be “plot writers” or “character writers.” We can make unique choices for each book.

In the end, I’m always going to answer the question of plot vs. character with BOTH. Choosing between them is like breaking up the birds and the bees or Ken and Barbie.

Bio. Rochelle Melander is an author, speaker, and certified professional coach. She is the author of ten books, including the National Novel Writing Month guide—Write-A-Thon: Write Your Book in 26 Days (and Live to Tell About It) She is the founder of Dream Keepers, a writing workshop for at risk tweens and teens in Milwaukee. She’s currently wrestling with some very opinionated characters in a novel for kids. For more tips and a complementary download of the first two chapters of Write-A-Thon, visit her online at www.writenowcoach.com

Have anything to add to this?  We love to hear it! 

Next week John Avery will be presenting his thoughts on this discussion so be sure to return here!


Upcoming Debate: Plot vs. Characters


Back in December, I ran a poll asking my readers (many who are also writers themselves) which part of any given fiction is more important: plot or characters.  I wasn’t completely satisfied with this mere poll, and decided to expand this topic further with an open debate with others. I sent out a call to various authors/editors/writing coaches and several have answered!

I originally planned to run this “debate” with just a single posting; but each response I received was too good to break down into pieces.  Instead, on each Wednesday (starting March 5th), I will run each one of these responses.  At the end of each one, the readers will have a chance to chime in their own thoughts and input on the matter.

Be sure to tune for the first part of the debate on Wednesday!